In this episode, Hannah and Marcelle discuss what made Steven Spielberg's Jurassic Park (1993) the ultimate CGI summer blockbuster, the history of American spectacle, and the monstrosity of the movie's out-of-control lady dinosaurs! Hannah leads this episode and if you're left wanting more, we have great news: their forthcoming book, Clever Girl: Jurassic Park, is available for preorder right now! Clever Girl "is a smart and incisive exploration of everyone’s favorite dinosaur movie and the female dinosaurs who embody what it means to be angry, monstrous, and free." Classic Hannah!!!!And do you want even better news? The whole Witch, Please Productions team is gathering this October to celebrate Hannah's book at Coach's beloved childhood bookstore, Women & Children First! Join us on October 11th at 7 pm CST to hear Hannah in conversation with Marcelle about Clever Girl! We want to see you! Come join us!Clever Girl: https://ecwpress.com/products/clever-girl-jurassic-park-pop-classicsSave the Date: https://www.womenandchildrenfirst.com/event/person-event-clever-girl-hannah-mcgregor***You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We continue our summer slowdown with a new Material Concerns episode once again featuring answers to YOUR questions. Marcelle is in Ontario for a family TRIP (not a vacation because kids are present!!) and Hannah is recovering from travels east!In this episode, they answer your hard hitting questions like "why is your team so hot!!!!?" Part two of this conversation will be available at all our tiers on Patreon on Thursday! For just $5 USD/month you'll get to hear Marcelle and Hannah discuss more about Reservation Dogs and what's goin on in their lives!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're so thrilled to be joined by the incredible Karrmen Crey (she/her) for this episode about FX's coming-of-age dramedy, Reservation Dogs! Released via Hulu from 2021-2023, this show is notable not only for its rich storytelling and beloved protagonists (shoutout to Bear, Cheese, Elora, and Willie Jack!), but also for its entirely Indigenous creative team from the creators to the cast and crew. In this episode, Marcelle (who is a huge fan of the show) offers some insight into how Reservation Dogs came to be. We're talking co-creators Sterlin Harjo and Taiki Waititi, the success of Thor: Ragnarok, and the influence of both The Sundance Film Festival and Toronto’s imagineNATIVE Film and Media Arts Festival. Karrmen then helps Marcelle and Hannah think through Indigenous sovereignty in the context of cultural production, pulling on her own research about the rise and influence of Indigenous media. And then, FINALLY, Marcelle, Hannah and Karrmen talk about specific episodes and characters that mean something to each of them. If you haven't watched the show already, you'll still get a ton out of this episode that really breaks down the material effects of representation created by the represented.Karrmen Crey is an Associate Professor in the School of Communication at Simon Fraser University. To learn more about her work, check out Producing Sovereignty: The Rise of Indigenous Media in Canada, available now!You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to another Material Concerns episode! We recorded this episode live for all our Patreon supporters so you'll notice there's a slightly different vibe; namely, Coach is on mic! We talk theory, past episodes, what's making our hearts flutter these days, and more. If you want more, tune into Part II, all about the second half of Bridgerton Season Three, through our Patreon. Become a paid supporter at any tier and you'll get access to the video and to the audio!We'll be back in two weeks with a regular episode! Until then, xo!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Have you ever been to a Tupperware party? Or perhaps a Pure Romance party? Avon? Then you may be familiar with pyramid schemes! In this episode, Marcelle guides Hannah through the history of Tupperware parties and their rising popularity post WWII. She then offers some Lauren Berlant theory (which always makes for a good episode!!); specifically, their concept of "cruel optimism." If that sounds familiar, it's because we first visited this theory in our Queer Eye episode. Enjoy the episode and become a Patreon supporter today to attend our LIVE episode recording on July 12th at 5 pm EST!You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We continue our summer slowdown with a new Material Concerns episode featuring answers to YOUR questions. As a reminder, we're still releasing episodes every two weeks, but every other episode will be a Material Concerns episode; an unscripted, more casual conversation between Marcelle and Hannah. In this episode, they talk about how Dirty Dancing, summer camp, Bridgerton, the female gaze and so much more. If you enjoy the episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll get to hear Marcelle and Hannah discuss a bit more about Bridgerton.***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we're talking about the HBO series The Last of Us, which was adapted from the popular video game of the same name! If you like the show, zombie content, playing video games, or thinking about how art gets transcoded across mediums, then this episode is for you! AND if you don't know what transcoding means, then this episode will really knock your socks off because Marcelle does a great job defining the word — as well as adaptation itself! Together, Hannah and Marcelle consider the process of adaptation and the intertextuality between original content and its adaptation(s). Of course, for all you Last of Us fans, they also talk about Long, Long Time — aka the Bill and Frank episode. And without spoilers!You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is HOW WE PAY OUR TEAM! We need your support to make the show. Thanks again to all of you who have already made the leap to join us on Patreon.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're starting a summer slowdown! That means we're still releasing episodes every two weeks, but every other episode will be a Material Concerns episode; an unscripted, more casual conversation between Marcelle and Hannah. They'll talk about how they're doing, what they're up to, research they didn't get to in "regular" episodes, content they're consuming and more! In this Material Concerns episode they give personal updates and chat about the other shows we have going on at Witch, Please Productions. If you enjoy the episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll get to hear Marcelle and Hannah discuss The Tortured Poets Department. If you want to read Marcelle's hot take about Taylor's newest album, head to ohwitchplease.substack.com!***Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Marcelle and Hannah are joined by Andrea Warner (she/her), the author of The Time of My Life, an exploration of Dirty Dancing as a deeply feminist film. We begin with a conversation about sexy films that made our younger selves all hot and bothered before heading into the segment "Why This? Why Now?" Hannah guides us through the difficulty that writer and producer Eleanor Bergstein faced in getting this movie made and distributed. We talk Reagan, Roe v. Wade, and nostalgia for the 1960s. Hannah then introduces us to American literary critic Fredric Jameson, cultural historian Bill Osgerby, and Russian-American cultural critic Svetlana Boym. Together, Hannah, Marcelle and Andrea parse through their respective work about postmodernism, nostalgia, late capitalism and the construction of history to get a better understanding of why Dirty Dancing is such a compelling film. We end the episode with a discussion of the appropriation of Black music in the movie, the power dynamics within Baby and Johnny's romance and the unique representations of mutual aid.If you love Dirty Dancing, join the club (with Hannah and Andrea)! If you haven't seen it, you get to be in a club with Marcelle. FOR NOW (we will get her to watch it!).You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Witch Please Productions is on Spring Break, so we're taking the opportunity to re-introduce you to Gender Playground, a podcast co-hosted by Marcelle Kosman and Raimi Marx about the joys of gender-affirming care for kids. This show launched to our Patreon last year and through patron support, we were able to launch it to the public in February of this year! We're dropping Episode 5 into your feed: Plans, Trans, and Autonomy. In this episode, Marcelle and Raimi discuss “transition.” We begin with an anecdote from Marcelle about the discomfort she feels labelling her daughter Billie as trans, given Billie started using she/her pronouns soon after becoming verbal. Together, Marcelle and Raimi think through the shortcomings and utility of labels, gender as a social construct, and the importance of affirming the gender and gender expression of people of all ages. Raimi then explains “transition” as an umbrella term that includes a range of actions pertaining to internal, social, legal and physical changes and choices folks may make. Marcelle asks some questions and there’s a fair amount of giggling! As always, we end with a couple recommendations and a promise to continue our discussion of transition in coming episodes.We’re continuing to find our audience for this podcast and we need your help! If you enjoyed this episode, please share it with family and friends — and leave an Apple Review! If you’d like to directly support production of this show, head to ohwitchplease.com/sponsorships. For just $250 USD, you can become a Gender Playground sponsor, run an ad on our show and get a shoutout. We'll be back in two weeks with a new episode of Material Girls. :) Hosted on Acast. See acast.com/privacy for more information.

Material Girls is on Spring Break! But don't fret! We unlocked an episode of Making Worlds, our Patreon-exclusive video podcast hosted by Hannah McGregor.Making Worlds is dedicated to the liberatory possibilities of other worlds! In each episode Hannah speaks with a guest (or two) about a sci-fi, fantasy, speculative fiction, or magical realism text that has changed the way they view the world.In this episode, Hannah talks with scholars (and friends) Lucia Lorenzi (she/they), and Clare Mulcahy (she/her) about Dimension 20! They explore the intimacy of collaborative world-making and the magical possibilities of pretending together. Then Lucia and Clare share what they take from Dimension 20 into their own lives. It’s a heartfelt discussion between three friends who really love Dimension 20, so get cozy and enjoy!If you want more Making Worlds, become a Patreon supporter at Patreon.com/ohwitchplease. If you want more Witch, Please Productions, head to ohwitchplease.com for transcripts, reading lists, and merch! You can follow us on Instagram @ohwitchplease for reels and other fun content! And you can follow our Substack which features a monthly newsletter called The Monthly Hoot where you get access to an assortment of recommendations, podcast updates, and monthly playlists. We also release behind-the-episode newsletters that delve into the research process for our public scholarship. Go to ohwitchplease.substack.com to subscribe for free.Music Credits: Special thanks to Jay Arner and Jessica Delisle who wrote our theme song! Used by permission. All rights reserved. Hosted on Acast. See acast.com/privacy for more information.

Like the serious academics they are, Hannah and Marcelle not only researched Disney in academic journals, they also went to the happiest place on earth! They made custom Theodor Adorno t-shirts, scooped Marcelle's eight-year-old and Gender Playground co-host, Raimi Marx, and wen on their way! In this bonus episode, they answer your questions about the experience. Sharing one mic, Raimi, Marcelle and Hannah talk about managing expectations, capitalism's hold on joy, the relationship between surrealist world-making and psychedelics and so much more! If you enjoy this episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll have access to the rest of this conversation (including the story about Robbie — the Disney employee who made a bad day better), all the bonus perks we've already released, and Hannah's new video podcast, Making Worlds.And, if you enjoyed this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in one week for a regular episode!*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

What drove Hannah and Marcelle to go to Disneyland? And what is with all the rainbow Mickey ears? And where does pinkwashing end and real change begin? Tune into this episode about the happiest place on earth to find out! In this episode, Marcelle leads Hannah through a history of the term pinkwashing. She then draws on an article by Karine Duplan called “Pinkwashing Policies or Insider Activism? Allyship in the LGBTIQ+ Governance–Activism Nexus,” to better understand what leads to making public spaces inclusive for queer and trans folks. Together, Hannah and Marcelle think through their own pleasure in experiencing Disneyland, while dissecting the tension between corporations' bottom lines and the value of representation and inclusivity. Ultimately, Marcelle and Hannah consider: if pinkwashing is by necessity surface-level public image campaigning that masks ongoing harm, is Disney doing something different? You can learn more about Material Girls at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back next week with a bonus episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're thrilled to be joined by Anne Helen Petersen for this episode about the popularity of athleisure! If you don't already know, Anne Helen Petersen (she/her) is the incredible writer, journalist and recovering academic behind the beloved newsletter Culture Study. She is the host of a brand new podcast of the same name and the author of four books, most recently Out of the Office: The Big Problem and Bigger Promise of Working From Home (co-written with Charlie Warzel) and Can’t Even: How Millennials Became the Burnout Generation. Together we begin with a history lesson from Hannah about WWII's effect on the fashion industry, particular women's clothing and the rise of spandex. Hannah offers some insight from cultural critic Jia Tolentino and her essay, "Athleisure, barre and kale: the tyranny of the ideal woman." We then move on to some helpful framing from theorist Michelle Foucault, sociologists Daniel Nehring and Anja Röcke, and feminist scholars Julie Brice and Holly Thorpe. We talk neoliberalism, fatphobia, and, of course, our culture's obsession with optimization. We end with an honest discussion about the role of pop culture analysis in helping us navigate the murky waters of ideology. We loved having Anne on the show and if you like this episode, we recommend heading to patreon.com/ohwitchplease for more! Anne joins us for two perks you DO NOT want to miss. And of course, you can find more of Anne's specific, timely and thoughtful writing all over the internet @annehelenpetersen!You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca. We'll be back in two weeks for another episode, but until then, we mean it — go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! ***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

For this episode, we're joined by the incredible Karen Tongson, Professor of Gender & Sexuality Studies, English, and American Studies & Ethnicity at the University of Southern California. She is the author of Why Karen Carpenter Matters and Relocations: Queer Suburban Imaginaries. Her newest book, normporn: Queer Viewers and the TV That Soothes Us provides theory for this episode about the beloved TV show, Gilmore Girls. We begin with a discussion of the early 2000s postfeminist Bush era that defined the early days of Gilmore Girls. Karen then offers some insight into the viewing practices of queer adults who have returned to this show en masse over the last two and a half decades since its pilot aired. We talk about the appeal of the Gilmore girls themselves, the tragedy of Lane Kim's journey into adulthood, the conservative reproductive politics that shape the show and the phenomenon of queer viewers finding both a pleasure and a shame in consuming sentimental content that showcases a fantasy of assimilation and acceptance.normporn: Queer Viewers and the TV That Soothes Us (NYU Press) was released in November 2023 and is available now! You can find more of Karen on her two podcasts, Waiting to X-Hale and The Gaymazing Race, and on Instagram@tongsonator.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Remember about fifteen years ago when we all went a little nuts for sweet potato fries? What was going on there? Well it turns out, that beloved appetizer was more than a tasty treat circa 2007. In this episode, Marcelle leads Hannah through research about the “orange-flesh sweetpotato” and its relationship to GMOs, cash crops, fat phobia and food imperialism. She pulls on the work of Joe Kobuthi for an analysis of food systems that informs her understanding of the sweet potato's zeitgeist-y moment.and she ends with a thesis that's got quite a bite to it.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Do you play D&D? Do you have a friend who does, but you don't totally *get* what it is? Did you see the recent film Dungeons and Dragons: Honor Among Thieves and think "wow, that role playing game went MAINSTREAM!?" Then this episode is sure to satisfy your curiosity about this zeitgeisty game! Hannah, who herself plays D&D, leads Marcelle through a history of the tabletop role-playing game created by Dave Arneson and Gary Gygax, tracing its origins all the way to Dungeons & Dragons 5E (the most recent edition). They then use ludology, the study of games and gaming, to understand the unique role D&D has at the intersection of gaming and narrative. And then, as always, the episode is wrapped up with a beautifully tied together thesis (from Hannah) about the transformation, or rather, realization of the game through the radical acts of people playing it. To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.*We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

There was so much more to say about Wonka and Twilight. In Part I of this bonus episode (aka a 'Material Concern' episode), we talk about fatphobia in children's literature, the "representation" of indigeneity in Stephanie Meyer's the Twilight Saga, and so much more. If you enjoy this episode, head over to Patreon.com/ohwitchplease for Part II! The rest of the conversation is available at all our tiers. For just $5 USD/month you'll have access to the rest of this conversation, all the bonus perks we've already released, and Hannah McGregor's new video podcast, Making Worlds.And, if you liked this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!***Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in one week for a regular episode!*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Are you Team Edward or Team Jacob or some secret third option?**Marcelle asks this question only at the very end of the episode, and you know why? Because there is so much more to discuss when it comes to Stephanie Meyer's Twilight. And who better to dig into this novel's plot and place in pop culture than Jackson Bird (he/him) who, over fifteen years ago, was a Twi-hard. If you frequent fan spaces, you might know Jackson through his previous work with Harry Potter Alliance or his very popular Youtube channel. Or perhaps you know him from guest spots on the podcast Harry Potter and the Sacred Text, his own (now retired) podcast Transmission, his 2017 Ted Talk (How to Talk and Listen to Transgender People), or his book, Sorted: Growing Up, Coming Out, and Finding My Place. Or maybe he's a new person to you, in which case, you're welcome — he rocks!In this conversation, Marcelle, Hannah and Jack discuss what was going on in 2005 that primed Twilight for such wide success. They ask: Why were young readers so hungry for a character like Bella? What does the plot of the novel suggest about the reading appetite of millennial readers coming of age in an era defined by impossible beauty standards and purity politics? When we refuse to disregard the interests, passions and literary preferences of young people, what can we discover about one another, our culture and ourselves?To learn more about the research that went into today's episode, be sure to follow Witch, Please Productions on Substack at https://ohwitchplease.substack.com! And if you like our show, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.*AND, if you want to participate in our Q&A episodes, be sure to follow us on Instagram @ohwitchplease to submit your inquiries! **Team Bella!?!***Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're so excited to announce that our new show, Making Worlds, begins January 25th!This video podcast, hosted by Hannah McGregor (maybe you know them?!?), will be released monthly via our Patreon. In each 30ish-minute episode, a guest will bring Hannah a text that has helped them imagine the liberatory possibilities of another world. We’re talking sci-fi, fantasy and speculative fiction! Hot!!!! Our first episode? Why it simply had to be about Our Flag Means Death! What says liberatory possibility more than gay pirates!? And, we're really lucky to have writer Hope Rehak as our first guest. That name sound familiar? Well that's probably because she's kind of beloved on the internet for, among other things, her OFMD content! She's also Coach's sister. :)The episodes we’ve recorded so far have been full of passion, enthusiasm, and genuine joy and we can’t wait for you to see them. Audio-only versions will be available on Patreon as well, but you should tune into the video versions if you’re able. Hannah’s makeup is worth it.Want to see our logo? Subscribe to our Substack or our Youtube channel. Want to get access to the show? Become a Patreon supporter at patreon.com/ohwitchplease for just $54 USD/year. Have questions about what's going on with our other to-be-launched show Gender Playground? Answers are in the Substack!Special thanks to Jay Arner and Jessica Delisle who wrote our theme song!Used by permission. All rights reserved. Hosted on Acast. See acast.com/privacy for more information.